Author Archive for derick

Imaginary Lines

I accept the monotony of the routined life implicitly almost all the time: getting up, dressing up, showering, working, laughing, playing, teasing, eating, drinking, yelling, reading, sleeping. And then to repeat that refrain, repeat that refrain, till it would seem silly not to. But, all of sudden, at the heightened numbness of any peripheral sense apart from those familiar gerunds that constitute life as I know it, when all seems regular and commonplace, I do something simple, like cut my nails for instance, and the whole prosaic world and its happenings become engulfed in inapprehensible wonder.

These nails! How perfectly construed? What if they weren’t there? Can you imagine long nail-less stumps for digits? How grotesque and unimaginable. How came it to be so? How came I to be so? What am I doing here, breathing, with a history a life, and who are all these people around me. What gives me thought and a mind so curious and introspective to even contemplate such extraordinary wonder?

These unfathomable wonders of life and our tiny presence in it is so baffling and indescribably awesome, that it seems like our traces through life and our every waking hour should be spent unraveling this mystery of mysteries–for, every mystery in earth is contained within this one encompassing mystery. Who killed John Peters? Well, why does John Peter deserve life in the first place? Who gave him life, worry later who took it away? Where are my ill-forsaken keys, how I wonder!? Where could they have mysteriously been deposited? I have looked in every crevice of this house; I have turned over the furniture in every possible direction, every corner of space has been looked after; the chain of events leading from its possession to its uncanny disappearance have been measured and vivisected to every possible degree and circumstance, and yet still, no keys!

How pitiful and irrelevant such a care, when juxtaposed to such a care of cares! How collogued time with space to form such an elaborate grid of life, for which we may lose our keys in some coordinate yet unsearched. The laws of nature, as we may think we know it, are such that a pair of keys cannot be vaporized into nothingness without a cause. The immutable laws, as we may think we know it, assert with virulence that something must occupy space, and the keys therefore, in the finite space of this earth, must exist somewhere.

Yet on further contemplation on such trivialities, I wonder, our existence on earth was accepted in all its mystery and wonder without question — breaking the laws of nature, as we know it. The heavenly bodies, the sun of incalculable magnificence and in whose existence we are all indebted to, exists and is so positioned without question. Even our eyes suddenly retain the memory of life, and we are introduced to a mother a father and we slowly accept this as life — but isn’t it a wonder beyond measure? A wonder that breaks the logic-machine of natural law but we accept this most central awe implicitly, yet the other laws of nature we claim will never bend. If it started with an immense bend of law unwritten, and isn’t the whole container of life supernatural in itself? And, if so, why do we not accept the things within to be capable of the supernatural? It seems preposterous. Superman can exist! Magic is never a farce. The feeding of five thousand with five loaves and two fishes cannot at all seem unreasonable! Neither, the escape of death onto resurrection, or the walking on of water.

To return to the keys, if someone were to say, “perhaps the keys have sprouted wings of such unprecedented proportion that it has escaped the envious grasp of earthly gravity and is now floating through space and time into galaxies yet unknown to us”, such a position, considering the implausibility of happenstance that has created what we know of as life and life has created the keys, isn’t it at all possible?

Max OSX on x86 PCs

Who said you need a Mac to run Mac OSX?

Mac OS X on my Windows PC

I was able to install Mac OSX Panther on top of Windows XP the other day using an amazing little tool called PearPC. It’s not really a “tool” per se (Mardigan’s a tool) it’s more of an emulator that mimics the PowerPC ISA on an Intel machine. And, as an obvious consequence, running Mac OS X this way is pretty slow– but still usable.

The Cellphone Anathema

I thought of a neat little device for a cell phone. I call it the “People Scanner”. It works like this: it will be a built in device that will detect if there is more than one person around the cell phone. And in the event that the reading comes out positive, the phone will not ring for an incoming call, but instead direct the caller immediately to a voicemail.

I think this device would be really great. I also think I’m really great for coming up with it.

Cell phones have become a problem. It wasn’t so bad during the Zack Morris day of those large gray dumbbell-size phones. Back then, air charges were like 20$ a minute so your were limited to just using it for an emergency. But now, minutes are practically free, they number in the thousands, and they rollover and play dead, and do all sorts of stupid little tricks.

But we can’t just get rid of the phones. Nope. That would be impossible. Ever try to forcibly take back a toy you gave to a little toddler? It’s not a pretty site.

So cell phones can’t be removed, per se; we have to stick to other options. This may be one of those times when we have to just fight technology with technology. The Russians got a bow and arrow, someone please roll out that cannon. They upgrade to the Gattling gun, our engineers come out with air-to-ground laser guided missiles. They counter with the nuclear warhead, we tap our brightest researchers to come out with some good ol’ Ebola and some Super-Tiny Pox.

So for the Cell-phone problem, we may need to fight it with technology. But don’t turn those keys just yet, there may be a less nuclear solution. If the People Scanners are impractical, what about stationary jamming signals set up in those tight public spots were the true misanthropes of society lurk and bring their insipid conversations. The train-cars, the busses, the waiting rooms, the grocery stores, the classrooms, the ballgames, the MOVIE THEATERS, the outside, the inside, everywhere! should have installed Jamming signals, or EMP pulses– so what if your heart defibrillator stops working, at least you’ll die NOT knowing where the idiot next to you is meeting his friends for dinner.

A Sparkling New Hoop

God I love spring.

I finally replaced the old rusty basketball hoop in my yard with a new one. The old one served me well for over 10 years and I have so many fond memories of that hoop. I remember the whole process of putting it together. My cousin was living at our house at the time, and as just a callow little boy, I didn’t play a huge part in the assembly process. The breaking of the existing blacktop, the 2 feet deep hole we dug up to bury a portion of the pole , the 2 days-which felt like weeks- of waiting for the cement to harden, I was just an impatient observer of its construction. But when it was finally put together, I spent so much time in my yard shooting hoops, meeting new friends in my neighborhood–who all seemed to gravitate to my new hoop; so many great memories.

But time doesn’t discriminate–even for basketball hoops. After a decade of attrition, piece-by-piece of my hoop started to come apart. First the mechanism that raised and lowered the hoop, started to malfunction, and then broke off. Then the rim started to bend so that it was no longer parallel to the ground. And then, the rim broke off completely :’(. Now it was just a backboard. A sad sight.

Then came the Winter of Despair. This last winter, during a night of a frightfully powerful storm, the wind came and tore down the backboard of my hoop. Now it was just a pole–a rusty, despondent, semi-black pole.

But last weekend, I replaced the whole thing. This time I did most of the assembly, although my cousin (a different cousin) helped a bit.

The first shot I took on my new hoop: a brick! The ball bounced off the rim and landed back into my hands, as though the hoop completely rejected my attempt.

So although the new hoop is brand new and glossy black, I’m still a little rusty. And maybe I am getting a wee-bit maudlin about something as material as a basketball hoop. But it’s sure nice to look out through the window and see a brand new hoop again.

Take It for All in All

Sometimes when I’m bored at church, I start perusing the only book I have available at the time, the Bible. But at these moments of boredom in church, I am not looking for spiritual insight, or a revelation of some kind; I am just looking for a story, something to pass the time. So as can be imagined, I don’t turn to something cryptic like Psalms, or the longwinded soap-opera in Esther, or the oh-so-aphorismic Proverbs, or the tad too sanctimonious Gospels. No, my storybook predilections are satisfied elsewhere. My favorite: Genesis and the Creation Story.

I know in keeping with political correctness, it’s often wise to tip-toe through word-choice when talking about the Bible. Some may take offence by my referring to early Genesis as a ‘Story’—it has a somewhat fictional connation. But words are so limiting. I’m not intimating that the events that occurred during the Creation Story are apocryphal–but they do contain a haze of storybook technique that can make it, how can I say, open to interpretation. Where do we draw the line between allegory and the literal?

The Creation Story is full of symbols, contrasts, poetry … antistrophe. Where some items are taken at face value, others are taken to be more than what they seem. The serpent beguiling Eve is almost always interpreted as more than just a reptile, but a symbol for the Devil. Some say the “days” referred to in the intervals of creation are actually the equivalent of 1000 of our years. The nakedness of man, as the purity of existence–a time without sin.

And If we do contend that the story is an allegory, and that the serpent’s curse of being forced to slither without feet is the Devil’s expatriation to hell, and that this speaks of that, and that speaks of this, couldn’t it also be considered that none of it should be taken literally? Man is not really man, the garden is not really a garden. That the forming of heaven and earth out of the void are all in fact symbols to something else. Are we even allowed to venture forth and explore our own interpretation?

The thing with symbolism and allegory, is that: you may be adamant, but you can never be certain. The Wizard of Oz may fall neatly as an allegory of the Guided Age, but it doesn’t have to be. In fact, even if Garland insists–once written–I think it’s beyond the author’s purview to confirm or deny one’s interpretation.

Story for some; history for others–take it for all in all.

Tom Delay, Hallmarks of a Leader

Tom Delay has the makings of the archetypical corrupt politician. Look, he even has all the requisite character traits:

1. Inverted Philanthropist: Siphon large amounts of money back into your own pocket. Delay’s method, hiring wife and daughter as “political consultants”, and paying them a modest 500,000.

2. Opportunist:
Regardless of the frailty of circumstances, leap beyond appointed purview and share officious legal misinterpretations to the judiciary. Be as obstreperous as possible, and shy not away from slandering.

3. Interest Conflicter: With open arms and a bright artificial smile, accept the “donations” of wealthy foreign interests–and hey, you may even get a free trip to S. Korea from it.

4. Republican: (Not fair, I know.)

Unenviable Dostoevsky

Dostoevsky is one of my favorite authors. Not because I’m familiar with much of his work, because I’m not. I’ve only finished one book by him, “Crime and Punishment”–but that was enough. “Crime and Punishment” is such a powerful book and easily one of my favorites. But now I’m in the middle of another one of his novels, considered the seminal piece of his writing career “The Brothers Karamazov”. I still can’t pronounce the title, but so far the book has met, shook hands, and sprinted past all my expectations.

One similarity I’ve noticed between this book and “Crime and Punishment”, is that Dostoevsky uses pathos to draw affection to his protagonists; you are so moved with compassion and pity for the character, that you are eager to see them succeed.

And this may not be a coincidence. They say you can only write about what you know, and Dostoevsky certainly didn’t have the easiest of lives. First his father was murdered when he was a child. Then Dostoevsky was sentenced to death when he was about my age– a sentence that was eventually commuted to imprisonment in Siberia. He was later released, but he suffered other losses, like the loss of his son and wife, (which are alluded to in Karamazov). Then he fell into enormous debt. Not from situations outside his control, but from excessive dissipation, especially gambling. He can’t be revered for the self-decadency of his later lifestyle, but the understanding of the hand he was dealt growing up, conjures up feelings of nothing but pathos, pity; and I think this may be one of the strongest themes he applies to his novels. That “the tides of fortune, no man can tell”, placing oneself in perspective to the misfortunes of another, you may just find a hero or a great man– in the seemingly lowliest of persons.

Rule-abiding Ferengi

The Ferengi are an alien species in Star Trek—orbiting around all things pecuniary. They are easily identified by their enormous ears and low brows, and of course with their unmistakable personalities which are motivated only by one thing, profit. In the era that Star Trek takes place, our race, the human race, is no longer driven by wealth, money, and a healthy economy. These things no longer exist in Earth, and are unneeded–and as a direct consequence so are, crime, poverty, and war. In fact, Earth is considered to be a paradise. The human species evolves into a race that is committed to exploration, knowledge and the sole pursuit of “bettering themselves”, fully embracing the ancient quip that money is the root of all evil.

Which brings me again to the Ferengi, the big-eared and tan, 4 foot 9 race, made purposely to look uglier then most other species. They still live a lifestyle revolving around wealth, business and acquiring more, and for the sake of Star Trek, represent astounding similarities to the way we, in this age, currently live our lives. Every time we watch the Ferengi and snicker at their loathsome ethical values, every time we shiver in disgust at their inexorable avarice, we are showing deprecation not at the Ferengi, but at a mirror, one reflecting the current state of our race—it’s a sobering perspective.

But the Ferengi, are an extreme. An extreme that, again, may be intentional to play the duel role as comic relief in Star Trek. What is particular amusing with the Ferengi is something they are continually quoting from in order to justify their sometimes dubious actions. It is called the “Rules of Acquisition”, the Ferengi ancient text that is simply a serious of aphorisms that the Ferengi model their lives around. Some of these “rules” are very funny in their complete disregard to what we would consider to be sound business ethics, and then again, some of them are surprisingly wise in their veracity.

A couple of my favorite rules are:

6 Never allow family to stand in the way of opportunity.
15 Acting stupid is often smart.
21 Never place friendship above profit.
29 When someone says “It’s not the money,” they’re lying.
31 Never make fun of a Ferengi’s mother … insult something he cares about instead.
37 You can always buy back a lost reputation.
44 Never confuse wisdom with luck.
47 Don’t trust a man wearing a suit better than your own.
60 Keep your lies consistent.
100 Give someone a fish, you feed him for one day. Teach him how to fish, and you lose a steady customer.
111 Treat people in your debt like family … exploit them.
180 Never offer a confession when a bribe will do.
284 Deep down everyone’s a Ferengi.
285 No good deed ever goes unpunished.

I have a complete list here.

Quark: Ferengi
Dax: non-Ferengi

Dax: And, as the 34th Rule of Acquisition states: “Peace is good for business.”
Quark: That’s the 35th Rule.
Dax: Oh, that’s right. What’s the 34th?
Quark: “War is good for business.” It’s easy to get them confused.

Street Signs

You know that daily commute home? The one you’ve taken every day for many years, where you have every detail memorized, every pot hole, every street light, to the point where you really don’t need to pay attention anymore, you kind of just make it home without thinking too much. Well, today for the first time in years, I started to think about a particular street sign. It’s one that I’ve must of crossed maybe a thousand times and I’ve become so used to this sign that I apply the same predicable reactions in resonse; I slow down, turn my head from left to right, over and over, and examine the sidewalks till I get to the end of the road.

No, the sign isn’t a silhouette of a deer or a moose, or of a man on a horse (which I ran into once near Charleston). In fact, those probably wouldn’t apply on a street with a sidewalk. It’s a simple sign with the words “Deaf Child” on it.

What struck me as odd for the first time was that I have seen this sign on this road all my life–well at least since my family first moved to East Providence 14 years ago. So if it was there at LEAST 14 years ago, God knows how far it really goes back. 20 years? 25 years? In all probability this “child” the sign refers to is probably not really a child anymore, and in fact, he probably doesn’t even live on the same street anymore. Do they ever retire these signs? And how does a sign like this go up in the first place?

Talk about minutiae …

War and Peace

I’ve finally finished reading War and Peace by Leo Tolstoy, an absolutely phenomenal book. It takes place during the Napoleonic war between the nascent French Empire and the sovereign nation of Russia. The book serves as a history of that period, told by an omnipotent narrator who expatiates the lives of various Russian Aristocrats. Each character in the story is so complex and so easily identifiable, who in the end serve as postulates to Tolstoy’s elaborate proof of the farce of man’s free will, and the leading role that fatalism can have on the course of history.

It is so rich and can be read and interpreted on so many levels. It’s really one of a kind. I strongly recommend!

4.5 stars
(One star deduction because I think it may have been a tad too long.)